Translated Abstract
Zhou Yuan area is Zhou Taiwang father ＂ancient father father moved Qi land＂, since the Qing Dynasty because of this place unearthed a large number of highly valuable historical bronze and known as the ＂bronze village.＂ Zhou Yuan area unearthed bronze medal basically through the Western Zhou Dynasty has always been, and a wide range of styles, from the early Western Zhou Dynasty along the end of the bronze style, to the late formation of the Western Zhou Dynasty unique bronze style. At the same time because the Zhouyuan area unearthed bronze for long inscriptions artifacts, so the historical value is extremely high. Zhou Yuan area because of the number of bronzes unearthed, the history of the long and bronze inscriptions for the world only see. With the Zhou Dynasty bronze with the emergence of the same cultural products - Jin Wen has become a very important research object. As the calligraphy in the calligraphy history has a pivotal position, so the Zhou Dynasty unearthed bronze on the gold medal on the calligraphy is even more with high research value.
The gold text contains the definition of the two levels of the narrow text and the broad text. Narrow sense of the text refers to the cast or engraved on the bronze inscriptions, the so-called Zhong Ding inscriptions. Exist in the history since the beginning of the business, to the Qin Dynasty six countries. And the broad sense of the text refers to the beginning of the Shang Dynasty, the dynasties of the inscriptions on the metal objects. The main form in addition to Zhong Ding inscriptions, including the editors of the text, ancient money text, ancient seal text, bronze mirror text and so on. Zhou Yuan Jinwen calligraphy from the book for the big seal, on the remote access to Oracle, its evolved into a small seal. Jinwen calligraphy because of the evolution of the text books and the carrier in the Zhou Dynasty after the gradual decline, while the original Jinwen calligraphy is also in the skills, aesthetic and cultural support have a high degree of consciousness. The calligraphy of the pre - Qin Dynasty calligraphy is the foundation of the Chinese calligraphy art. Zhou Yuan ＇s calligraphy is also the pinnacle of the pre - Qin calligraphy. It is helpful to clarify the style of Jin＇ s calligraphy regardless of the creation of the present book or the supplement of the history of calligraphy. At the same time this is also on the Zhou Dynasty Jinwen calligraphy historical status of the judge and summary.
On the basis of the study of Zhou Yuan Jinwen calligraphy in the past, this paper explores the characteristics of Zhouyuan Jinwen calligraphy based on the comparison of the style of calligraphy, calligraphy technique, calligraphy aesthetics and calligraphy culture. Aiming at discussing the artistic features and contributions of Zhou Yuan Jinwen＇s calligraphy and making a reasonable judgment on the calligraphy history of Zhou Yuan＇s calligraphy.
After experiencing the evolution of the book and the text and the record carrier, the calligraphy of gold has gradually declined. The rhythm of the book style has played a fundamental role in the gradual decline of the calligraphy. Jinwen calligraphy with the dynasty change gradually from the song of the king of the text gradually into the daily and civil. At the same time, the gradual change of the second creation environment makes the limitation of the richness of the calligraphy creation increase.
Zhou Yuan Jinwen as the representative of the Zhou Dynasty Jinwen calligraphy in the skills of the consciousness and richness of the pre-Qin period reached an unprecedented height. But also in the calligraphy techniques to prove that Zhou Yuan Jin Wen is the prehistoric calligraphy peak of this conclusion.
The calligraphy aesthetic concept in the Jin Dynasty was the foundation of the Chinese calligraphy aesthetic idea, and provided the original aesthetic gene for the Chinese calligraphy. Zhou Yuan Jinwen calligraphy for the comprehensive grasp and analysis of ancient calligraphy provides a basis.
The cultural basis of Chinese calligraphy is the evolution of the source of Zhou culture. Zhou Yuan Jinwen calligraphy is the materialized form of Zhou culture, and the mainstream cultural changes in the later generations are developed and enriched on the basis of the ancestral temple of Zhou culture.
According to the six degree evaluation method of the status of calligraphy, from the calligraphy art bearing the thickness, the new concept of calligraphy, the height of aesthetic performance, the difficulty of the realization of techniques, the dimension of carrier development to determine the culture of Zhou Yuan Jinwen. Zhou Yuan Jinwen calligraphy completed by the concept of deification calligraphy to the concept of natural calligraphy and calligraphy changes. Zhou Yuan Jinwen calligraphy to create a calligraphy rational regulation, elegant and elegant, high after the aesthetic of the sub-standard. Zhou Yuan Jinwen calligraphy highlights the richness of the pen and laid the foundation for the consciousness of the later calligraphy. In this paper, the study of Zhou Yuan Jinwen ＇s calligraphic writing has compiled the context of the development of ancient writing.
In this paper, the comparison of Zhou Yuan Jinwen＇s calligraphy technique with the ancient Jinhua calligraphy technique can reflect the richness of the technique and the difficulty of realizing it. The calligraphy of the later Jin Dynasty calligraphy is gradually reduced, In the simplified, creative difficulty compared to the Zhou Dynasty Jinwen lower.
The study of the aesthetic conception of Zhou Yuan ＇s calligraphy has provided important evidence for the development of aesthetic consciousness in the pre - Qin Dynasty. Zhou＇s aesthetic concept has been self-contained, and has obvious consciousness.
In this paper, the comparative study of Zhou Yuan Jinwen ＇s calligraphy and ancient bronze calligraphy culture can reflect the gradual decline of bronze culture, which is of great significance to the analysis of the evolution of ancient culture. At the same time, the author studies the origin of Chinese calligraphy culture, namely, Zhou culture, which embodies the rooting of culture in calligraphy art.
In this paper, the judgment of the calligraphic history of Zhou Yuan Jinwen calligraphy is an important supplement in the history of calligraphy.
Zhou Yuan Jinwen＇s calligraphy has provided a very important reference for the creative ideas, creative techniques, aesthetic pursuit, theme selection and technique expression of contemporary calligraphy art creation.
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